Education... has produced a vast population able to read but unable to distinguish what is worth reading.
G. M. Trevelyan, English Social History (1942)
British historian (1876 - 1962)

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Showing posts with label African American. Show all posts
Showing posts with label African American. Show all posts

Saturday, March 28, 2009

Who you are 101 :::: The return of Black......!


I do not want to come across as ignorant to the world in anyway. This is a moment of pride, not belittlement of another race or creed of people. I am one that loves humanity and all that it has to offer.


It is great to have the spotlight and it is positive for one, and on top of that is allows us to not only share in, but lead a movement. In all my time in this country I have seen nothing but ignorance by the lighter races. The following list promote that there is a movement of people, both, Dark and Light, alike that are about the changes that need to take place in this world. The list is evidence of the support and admiration that the world community has for us. 

So is it a good time to be black? The list seems to show you can be anything that you want to be and have pride in doing it.

Our President is Black! The list is the beginning of a long list.

List found Bossip. 

1:The head of the Republican National Committee is Black. Michael Steele
2: The best known media mogul on earth is Black. Oprah Winfrey
3: The greatest golfer in the world is Black. Tiger Woods
4:The top female tennis players in the world are Black. Williams Sisters
5: The highest grossing actor worldwide is Black. Will Smith
6:The fastest racing driver in the world is Black. Lewis Hamilton
7:The brightest Astrophysicist under the sun is Black. Neil Degrasse Tyson
8:The Superbowl-winning Head Coach is Black. Mike Tomlin
9:The most successful brain surgeon in the world is Black. Dr. Benjamin Carson
10:The fastest human on the planet is Black. Usain Bolt
11:…. Michael Jackson must be kicking himself.

Thursday, November 20, 2008

What will it take for Black Hollywood to fight for real roles

There has been a question that has been on my mind for the latter part of the last 10 years. Although I see things changing and advances have been made I would like to know what will it take for African American Hollywood to begin the real fight. By producing and acting in films that matter to the people.

I am not denouncing the comedies and the dramas that we have seen as of late. I am a fan of effort. I would like to see that effort bring to fruition a finished products that can contend with the heavy weights. When that happens we will be able to see films not as black Hollywood or White Hollywood, but sit down and enjoy piece of an American Story, as America is.

Help me on this. Please discuss.

Wednesday, April 02, 2008

Tyler perry and Crossing over to the mainstream....


I was surfing the blogospher looking for interesting topics and blogger and I come across Inside Urban Hollywood an Insider Blog for the African American Film Industry. Which outlined an interesting point, stating, "While Perry has consistently deliverd $20 million plus openings for his string of Lionsgate features, his overwhelmingly black audience demographics have not crossed over to the mainstream movie-going audience."

In response to that there was a reader that made a comment on the posting over there pertaining to Tyler Perry and his current status as a producer of films, that are geared towards the black film goer which is a response to the Inside Urban Hollywood and Hollywood reporter. Which poses the question. "How black is too black for broader acceptance?"

So I commented and I realized as I was writing that I had a little more to say than I thought. So I am posting that here for you my readers to get a sense of my Point of View of African American having to cross over into the mainstream film industry.

Here is my response slightly edited for fluidity:

Empress makes a point that is very clear to African Americans as one that should not have to take place; every time success becomes the goal, in respect to whatever you do in life. In that dimension of thinking she is correct. African American of course need to know that they can build their own financial community from within.

However I think the formula that offends is the watering down of the actual work in production being tainted by images that do not coincide with the African American Community. This is infuriating if not demeaning to Black American life. Also I get the feeling that Empress does not see that possibility of incorporating the reality of what African American life has to offer, by extending the welcome arm to show the true color of American life. This topic alone should lead you to Debra J. Dickerson's book, THE END OF BLACKNESS, which make for a great read.

This topic is one that is more intricate than a simple yes and no answer. There are elements and ideas at play that are not in alignment with true artistry. In order for Blacks to tell the story and whites for that matter, all racial and culture backgrounds should have representation, depending on the demographic of the films location. You are not going to find 500 black people in Russian cities, but you will find some doing significant things in reality, so that should cross over into film. That goes the same for stories based on the African American Experience or African Experience as a whole. You must know your position. Nothing irritates movie goers more than a film that does not represent correctly and that feeling is universal amongst all races.

Tyler does not need to cross over he has the power to make universal films at this point. I am sure that his world is not black alone without shades of white. Their is black person that can tell you that they do not know, live or work with whites. So it is time that the entire story begins to see the silver screen, and Tyler Perry has that wealthy position in film that is very rare to pull it off. The studios will listen to him.

Friday, March 28, 2008

American Idle :::: Spike Lee pushing the envelope and calls for proper funding


I was over at the Riskybusiness blog and Leslie Simmons posted an interesting find on Director Spike Lee. Stating that this past Wednesday he pushed the Envelope and might I add, yet again.

He was being honored with the Chrysler sixth annual behind the lens award at the Beverly Wilshire Hotel and ballroom, receiving tributes, from actors that he has worked with, from films, such as School Daze (Laurence Fishburne), Do the right Thing( Rosie Perez), Bamboozled (Savion Glover), all which thanked Lee for pushing their careers into the direction that garnered them the success they have. Then Spike lee took the stage, allowed us his thank you speech and from there it was quickly turned into a moment to speak ones true mind.

He shared his feeling about not getting the funding he needs to put together successful projects, stating " I took my ass on a plane to Europe and got the financing for this film," he said pertaining to his latest world war II Drama" Miracle of St. Anna." " So, As Malcolm (X) said, the struggle is far from over."

He went on for a time longer and then he introduced his Italian producing partners in the film, Luigi Musini and Marco Valerio Pugini, in which they happened to be seated in the far back corner.

" Don't get the wrong idea with them being in the corner," he joked " When I was disgusted about not getting the financing for James Brown or the L.A. riots, I went to Italy." Which Are two projects that had budgets lower than the $60 million, which is below the price tag on films these days.


Spike Lee, did what is interpreted as a horrible impression of the Italian Money Men, highlighting the moment in which they agreed to finance the project. Lee also went on to say " It's amiracle this film got made."

Now keep in mind Spike is not a fool and has been speaking on the following subject in one way or another over the past twenty some odd years now. He wants to see justice in the film industry and clowning on film does not equate to what he is asking for. Spike Lee is looking for solid drama, action, love stories, suspense, fiction, and the list goes on, that include African American film ideas, in which he thinks has gone unnoticed for far too long. You may get one or two films a year showcasing a positive African American Family and they are not even in the wide release realm of other films. They are likened to the low budget, independent crowd, and in most cases because a lack of budget backing most of the original ideas, and concepts behind the films are lost. Financing is key to creating films that match the times, and which will allow production teams to set up the proper parameters for filming and editing and being able to pay quality actors, etc.


Spike Lee Continued on what he called his "little tirade," talking directly to the African-American industry players, within the audience, focusing in on the material aspects of what they may think success to be. It does not matter what car you drive or house you live in, " we're way behind in film," adding " none of them look like you. The only black guy I see is the brother man at the security gate." Allowing us the opportunity to see that their are not enough power roles for African Americans in the movies coming out of Hollywood.

He went on to Joke some more that the studios are "Sneaking Black Faces" into the board room to make it appear that they are integrated, but what they're really doing is plucking blue-collar workers and dressing them up for the meeting. " Then you leave and they kick their asses back to the mail room," He quipped.

Those comment may be lack of accurate calculations to the amount of lead roles allowed to African American Males, however it is true that the roles are limited and African Americans are not getting the face time to be the artist they are. Yes you have Will Smith, Jamie Foxx, Denzel Washington, Laurence Fishburne, Wesley Snipes, and Cuba Gooding Jr., to name a few. However the fact, of the matter is, it is only a few compared to the many of European males, that grace the Big screen as well as the small screen I might add.

As far as the boardroom goes, you have a set up filled with minds that do not see entertainment from a global perspective, in which they will tell you they do, but it means, globally-white perspective. The time and research does not go into the African American communities, it goes into the European American Communities, and what ever they wish to see it is shown with out quips or qualms.

You may meet with a film producer one day and you may get rejected however you do not stop there you find alternative ways to fund your film as Spike has done. Many films have been made this way whether African American or otherwise.

I understand where spike lee is coming from and the race issue has festered for far too long within the walls of Hollywood and the country over. The time has come in which there needs to be a balance in films representing America and American Life and the live's in it as a whole. From Television, the Silver screen, all the way to Broadway, and might I add musical diversity, not all African Americans Rap or sing R&B, Rock N Roll is just as much African American as it is American.


In the end all Spike Lee and all the other silent African American Directors, Actors ( male and Female), are asking for a level playing field in which they can produced the quality films they have perceived in their initial visions. I want to to take it a step further and make it clear that, although I love to watch Tyler Perry films, his approach is too subliminal and goes unnotitice the majority of the time, mainly if you are not of the Christian faith you have no clue as the deep rooted message in his film. Those in secular society only see a Big Black Dude in a dress, slapping a boy on a bus, or brandishing a weapon every time someone pisses of the character. I get it, but to the naked eyes and ear of the new un educated generation of American no progress has been made.

Comedy will receive funding but it is almost always slapstick, with no real substance to liken your self to. Yes we have Jim Carey who does the same, however that may be Jim Carey stands out, Steve Martin Stands out, and other who have taken their path to comedy fame. Comedy is clowning, but we all know that there is a science behind it that does not get seen past the stand up stage.

America needs to think, and think hard about its direction(s), in which it is headed. Art imitates life and it is the other way around at this point, so with garbage films representing the African American art world, you can imagine what is being imitated.



Comments? Let me know what you think of this.